Just a few hours ago my Adidas project seemed perfectly planned. At this current moment, however, I am left with no model attending either the photoshoot, the film shoot, or my presentation in May, and with no opportunity to do my laser cutting and printing at the university.
The whole idea behind my project is based on fluidity and movement, so I wanted to communicate this look through my illustrations for the collection. For this purpose, I decided to try and depict the garments with a minimal amount of fluid lines that would, however, speak of intensive and flexible movement, much like dancing.
In the course of the past week, I have been working on improving my range plans for the Adidas project on tennis wear. A particular challenge was the garment for Wimbledon, as I could not be as creative with colors as I wish to be. However, materials, textures, and proportions could vary indefinitely.
Even in England you could feel the sun shining brighter, the sky getting clearer and the water going warmer. The fresh spring air inevitably reminds of the approaching summer – the perfect tennis season.
Based on Emma’s personal preferences and requirements I am in the process of designing the best possible fit for her. In order to look stunning on the court, she should first and most importantly be super confident and comfortable while playing. This is why with my second toile for the project I’m double checking if…
Strech has turned my current project into a big mathematical equation and my sketchbook into a scientific book, but challenges turn out to be a massive drive to make the best possible fit for Emma, my model and tennis player.