A rainy Saturday in January 2018 – almost a year ago. It’s warm in the ESI building, a part of the University of Exeter, and really, really cold and windy outside. Yana and I are also there on that Saturday, with a hint of regret for not staying in bed. Instead, we are about to…
In the laid-back, classical style of the collections, Yana and I got our models a vintage sports racket to complete a more genuine photoshoot.
[huge_it_gallery id=”29″] Depicting all the technical details of an outfit might seem quite dull. However, considering the amount of creative energy I have put into this project, I enjoy preparing my technical pack more than usual.
There was a time the whole world was falling apart. At least that was my initial thought when my project started failing. For a day or two there was no reply from anyone I tried contacting, my plan B for printing failed, so did plan C, as you can see from the photos.
Just a few hours ago my Adidas project seemed perfectly planned. At this current moment, however, I am left with no model attending either the photoshoot, the film shoot, or my presentation in May, and with no opportunity to do my laser cutting and printing at the university.
The whole idea behind my project is based on fluidity and movement, so I wanted to communicate this look through my illustrations for the collection. For this purpose, I decided to try and depict the garments with a minimal amount of fluid lines that would, however, speak of intensive and flexible movement, much like dancing.